I am often asked to write about heka1. The problem with me writing about heka is that I really don’t do much heka. My heka work is limited to prayers, offerings, and the occasional execration. I ignored these requests for a long time, until I remembered that I happen to be good friends with one of the most powerful hekau2 I know: Abby (secular name) aka Ubenet (Shemsu name). She was more than willing to talk shop with me for my blog, and so we spent a while talking about her experiences and her advice for new hekau.
If you like what you read, Ubenet offers charms and more at her Etsy shop, Wire and Roses. I can personally attest that her charms and heka are both beautiful and effective!
Sobeq: So first of all – what would you call your kind of heka/magic, if you had to label it?
Ubenet: Hmm, that’s a good question. Bricolage, maybe. Bricolage is a word we stole from the French that basically means “putting stuff together from whatever’s available”. I mix together stuff I’ve learned from all kinds of things with intuition and just sort of… do stuff.
S: Where do you draw your techniques from?
U: I’ve learned a lot from books on ancient Egyptian stuff, hoodoo/rootwork, and modern witchcraft. Those are probably my main influences, plus whatever I run across on the Internet that resonates.
S: If you had to break it down into percentages (which could be difficult) what would it be?
U: [Laughing] That is indeed difficult! I feel like my sensibility is always Kemetic — I’m always deciding that I have the authority to do this thing, so I will do it. But the actual mechanics vary – yesterday I was more on the modern witchcraft side, when I made a charm for myself out of gemstones, for example.
S: What do you mean by “I have the authority to do this thing, so I will do it”?
U: It’s like, I realize this thing needs doing, and I’m going to step up. I’m my Parents’ daughter, so I can use the power They gave me.
S: Gotcha. How do you decide which approach is going to work best?
U: That’s a good question! Intuition, I guess. Sometimes it’s just like, “This needs to be a bottle spell,” or “This needs to be embroidered,” or “This needs to be a charm”.
S: Do you think there’s any tendency for certain kinds of magic to trend towards certain kinds of spells?
U: If it’s something short-term that I think needs to be near the person, it’s likely to be a charm, and if it’s something long-term that doesn’t, it’s likely to be a spell bottle. If it’s short-term and doesn’t need to be near the person, usually it’s a candle spell, and if it’s long-term and does need to be nearby, it’s embroidered. Actually, I hadn’t really put that together before!
S: It sounds like those are your go-to spells! Bottles, charms, candle magic, and embroidery.
U: Yup! Oh, and I forgot the dragons I make – those are like a combination of bottle spell, embroidery, and charm. I put a wad of herbs wrapped tightly in duct tape (for washability) in the stuffing.
S: Nice! What’s the process of prepping for a spell like for you?
U: I figure out what I want to happen, and then it depends on which direction I’m going. If it’s an embroidery spell, I make it into a sigil and pick colors; if it’s a charm, I pick stones that either have associations that match what I want, or I look at the stones I have and see which ones are going “pick me, pick me!” If it’s a candle I’m dressing myself, I find herbs with the right associations or that are going “pick me, pick me!” and make a list and putter around finding where I put them.
S: Do you do any sort of ritual work or purification beforehand?
U: Sometimes, if I feel like I need to, but usually it’s more like the energy is building up in my hands and I need to use it or lose it.
S: Timing is everything!
U: [Laughing] Yup!
S: Have you ever had something go awry while working a spell — either with the execution of the spell (i.e., spills, things on fire) or with the magical results?
U: Sometimes when things go “wrong,” it’s actually telling you something. I lit a crucible of courage candle for my friend when her son was dying. The label burst, and the glass broke, and that night he died. When I saw that it had gone kaboom, my first thought was “none of the pieces hit Fritz3, did they?” (they did not), and my second thought was “it’s going to be tonight”.
S: Are there any indicators that tell you a spell is going to go well or be particularly effective?
U: Sometimes it just feels good! Like, there’s usually a sort of “yes, I have done a thing” satisfaction, but sometimes it’s more like “yes, I have Done A Thing”.
S: Do you ever find yourself going “against the book” so to speak, because it’s what your gut tells you?
U: Sometimes! I have a habit of using nutmeg to represent myself, which is not in any book, but I’m from Connecticut4. In hoodoo, nutmeg is used for luck, especially for gamblers. Most people wouldn’t be like, “ah yes, a nutmeg, this symbolizes My People”.
S: Was there a point in your magical practice where you realized “yes, this is thing I am skilled at?” For example, there’s people who can cook, and then there’s chefs, and I feel like as far as heka goes you’re the latter.
U: Oh wow, thank you! I don’t know, I think I realized I was competent when somebody told me that something I made them made them feel better, and then it’s been sort of steadily increasing.
S: If you had to give advice to someone who was just starting out, what would you say?
U: I would say, do things! Try different things, read about different things, and see what makes your heart go “yes, that’s right” or “no, that’s not right, it should be like this instead”, and then do something with it.
3. Ubenet’s hedgehog familiar
4. See this link for background on the connection here.
One thought on “What the heck-a is heka?”
I never actually considered using embroidery as a means for magic… How can I not have thought of that before? Thank you for giving me ideas!